Carolina International Jazz Festival
The piano was the theme for the 7th edition of the Carolina International Jazz Festival in Puerto Rico. This Jazz Festival is a creation of the town of Carolina, Puerto Rico and its Major Jose Carlos Aponte Dalmau. Those present in the two days fest had the opportunity to enjoy the music of some of the best pianists from Puerto Rico.
Friday, August 12
After a short video introduction about the history of the piano, musical director and professor Angel Torres started the fest with a student orchestra from the Escuela de Bellas Artes de Carolina (Carolina Arts School). With compositions from pianists Herbie Hancock, Duke Ellington and Michel Legrand, the arrangements were diverse, including funk, mambo jazz, Puerto Rican bomba, plena and Cuban danzon. All of these students have the talent to become the next jazz virtuosos from Puerto Rico, but two of them deserve a special mention, alto saxophonist Ashley Nadal and pianist Emilio Mendez.
The second act was the exquisite fusion of jazz with Puerto Rican danza of master pianist Angel David Matos. In a tribute to one of the best pianists from Puerto Rico, Jesus Maria Sanroma, Matos played a medley of three beautiful danzas, “No me toques,” “Margarita” and “Maldito Amor,” accompanied by three of master jazz musicians in their own right, saxophonist/flutist/clarinetist Ricardo Pons, bassist Aldemar Valentin and drummer Hector Matos.
The more traditional jazz sound of pianist/professor Luis Marin was the third act of the night. Listening to Marin’s elegance and flawless improvisations, it was easy to see why he is considered one of the best pianists in the Puerto Rico Jazz scene.
The music diversity continued with the closing act of the night, pianist/composer/violinist Mariano Morales and his group Pikante that includes among others Paoli Mejias on congas, Tommy Villarini on trumpet and Pedro Perez on bass. Morales repertoire included latin jazz, mambo and bomba.
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With compositions from pianists Herbie Hancock, Duke Ellington and Michel Legrand, the arrangements were diverse, including funk, mambo jazz, Puerto Rican bomba, plena and Cuban danzon. All of these students have the talent to become the next jazz
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Além de acumular alta de 86% em dois anos, um novo reajuste de preços elevou o valor de bomba para um dos maiores níveis já registrados para este período: R$ 1,99. E para fechar o ciclo de “inferno astral” do combustível, em plena safra ele pode deixar
Exploring Reggaeton Music and Danc | Clydelewis.com
Exploring Reggaeton Music and Dances
Reggaeton is a type of urban music that has become widespread in popularity among young music lovers in Latin America, North America, Europe, Asia, and Australia. Reggaeton music originated in Panama and caters to Hispanic youth, with rapping and singing often in Spanish. The music is a blend of Jamaican style music such as dancehall and reggae and Latin America style music such as salsa, bomba, plena, merengue, bachata, hip hop, bolero, R&B, and Latin pop.
Reggaeton music boasts its own specific rhythm and beat. The rhythm of reggaeton is often referred to as “Dem Bow.” The name Dem Bow references the title of a dancehall song from the 1990s by Shabba Ranks. Though the music genre of reggaeton is mostly associated with Puerto Rico (where this style of music was popularized and became famous), the lyrics are more hip hop type lyrics than dancehall.
The Beat of Reggaeton
It’s the reggaeton beat, or Dem Bow, that drives the music and dances. The beat is described as a drum-machine track that originated with Jamaican dancehall rhythm. Reggaeton combines a syncopated snare and steady kick drum to create an unusual rhythm. There’s a 4/4 beat emphasized by the kick drum, and the snare starts with the “and” of the 3rd 8th note and right on the 4th 8th note. There are about 95 beats per minute, and the result is a magnified “boom-ch-boom-chick” sounding beat.
Reggaeton beat sounds are usually synthesized electronically. There are also simple melodies created with electronic instruments, keyboards, and electric guitars. The beats are versatile, and can be based on bolero, hip-hop, salsa, merengue, bachata, or other similar beats.
The Reggaeton Dance
Sensual (and controversial) dancing can often be seen in reggaeton clubs or on music videos. The perreo type dance is a form of grinding dance derived from Puerto Rico. The dance puts women in control of the dance and is very provocative in its nature. Perreo moves are popular in dancehall, rhythm and blues, and hip-hop music as well. A slightly calmer form of reggaeton dancing is cumbia, which was originally a folk dance and music from Colombia. Like perreo, the cumbia dance is flirtatious in nature with the women luring the men toward them and then pushing them away.
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